Now we just string them together into a video! Go to Photoshop, and choose File > Open. Now you have the JPEGs that will make up your time lapse. Rename them with “sequence number” starting at 001. While in Bridge, go to Tools > Batch Rename. However, you still need to rename them so that Photoshop will recognize them as a sequence. If you shot JPEG, simply choose “Done” to save your changes.
EBOOK LRTIMELAPSE SERIAL
Select them all and click “Save Images.” In the Save Images dialog, choose “3 digit serial number” for file naming (if you have over 1000 images, choose 4 Digit). (If you shot JPEG, skip this and go to step 8). When you’re satisfied, sync the changes with all your other images. I usually fine-tune exposure, increase contrast and saturation, and apply lens corrections. Select the photos, right-click, and choose Open in Camera Raw).Įdit the first image. I’m describing it without using Lightroom.) Open all of them in Photoshop’s Camera Raw (if you shot JPEG, you have to do it via Bridge. (Note: if you have Lightroom, you can do a lot of this in that program. Once the camera is done shooting, it’s time to post-process. Pictured above: playing with Instagram as I wait for the time lapse :) Don’t leave your camera unattended! But if someone does steal your camera, a time lapse could help you. If the weather is nice, I like to bring a chair and a book or something to keep me occupied. Depending on how long you’re shooting, you might get bored waiting for it. (Make sure you have your intervalometer’s shot limit set to infinity.) Of course, you can just shoot from the hip (pun intended) and see what happens. Play around with these equations to see what works best. If you set it to take one photo every second, it will take 900 seconds (15 minutes) to shoot.
If your end video will be 30 fps and 30 seconds long, then you’ll need to take 900 photos. Like step 1, experimentation is key.ĭecide how long your video will be. The longer the interval, the faster your subjects will appear to move. If you want to show the sun moving, I’ve found that 15-20 seconds is a good place to start. Choose how often to take a photo-I recommend 1-2 seconds for fast-moving objects, like vehicles, and 5-10 seconds for slow-moving things like clouds.
EBOOK LRTIMELAPSE HOW TO
It takes a while to learn how to operate. Plug it into your camera, then set it up. Set your focal length and exposure settings.Ĭonnect the intervalometer. Just keep experimenting-you’ll get better each time. Nothing kills a time lapse like a boring scene. On top of all that, your scene should be interesting enough that it would make a decent still photo. You’ll have to crop it to 16:9 format later, so you can’t fill the frame.
You’ll want to show motion, so it should have some moving parts, like clouds or cars. Finding a suitable time lapse scene is tricky. Once you’ve got your supplies, you can start!įind a scene. This will make your time lapse look much better.Īssuming you already have a camera, lens, tripod, and Photoshop, you’ll only have to spend $15 or so for the intervalometer. This applies anti-flicker filter to your sequence of images.
EBOOK LRTIMELAPSE FREE
A free program called LRTimelapse (optional).Apple Quicktime installed on your computer.You’ll also need Camera Raw, so Photoshop Elements won’t work. You’ll need the File > Export > Render Video function. It offers amazing capability for the price. It lets you set delay (time before it starts shooting), interval (time in between shots), and length (how many shots). Make sure you get the right one for your camera. This nifty little device lets you take photos at specific intervals (say, every 5 seconds). A camera and lens, and a sturdy tripod.But did you know that it is also relatively easy to do? In this article/tutorial, you’re going to learn how to make time lapse videos from still photos.īut, before we dive in, let’s have a good look at what gear is usually required in order to capture a great time lapse: As you probably know, time lapse photography can be really cool.
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